Passions are aroused and old wounds reopened in this sassy post-Scream teen slasher based on the urban legend of "The Hook".
A steamy secret tryst that was brutally cut short on Valentine's Day an unlucky thirteen years ago comes back to haunt the teens who linger around the lovers lane where the double slaying took place. The County Sheriff Tom Anderson (Matt Riedy) has just about come to terms with the fact that it was his wife who died in another man's car on that fateful night. His daughter Mandy (Erin J. Dean), who as a four-year-old saw her mother's corpse carried away from the scene, has a different take on things. It doesn't help that her classmate Michael (Riley Smith) lost his father to the same hook-handed homicidal maniac in that night's incident. To cap it all off, as another Valentine's Day comes round, reports come through that the man arrested as "The Hook" has just bust out of his asylum.
Prepare yourself for the ultimate hook up in a scream-a-minute rollercoaster that marked the film debut of Anna Faris (the Scary Movie series; Lost in Translation).
SPECIAL EDITION CONTENTS
FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by Lindsay Hallam and double-sided fold-out poster featuring original and newly commissioned artwork by Ilan Sheady
In the mid-1960s, the runaway success of Sergio Leone's "Dollars" trilogy gave rise to an explosion of similar productions. Filmmakers by the dozen sought to capitalize on this new, uniquely Italian take on the western, which was characterized by their deeply cynical outlook, morally compromised antiheroes and unflinching depictions savage violence. This specially curated selection gathers together four outstanding examples of the genre from the height of its popularity, all centered around the theme of blood money.
In Romolo Guerrieri's $10,000 Blood Money (1967; a.k.a. $10,000 for a Massacre), Gianni Garko - best known for his portrayal of supernatural gunslinger Sartana - takes on the part of another beloved western antihero, Django, who is on the trail of bandit Manuel Vasquez (Claudio Camaso, A Bay of Blood). But what started as a job for hire soon turns personal, with Django swearing vengeance against the unscrupulous outlaw. Then, in the film's spiritual successor, Giovanni Fago's Vengeance is Mine (1967; a.k.a. $100,000 for a Killing), Garko and Camaso once again lead the cast, this time as estranged half-brothers - one a Confederate soldier now riding with renegade outlaws, the other a bounty hunter tasked with bringing him in alive.
Next, in Giuliano Carnimeo's Find a Place to Die (1968), Jeffrey Hunter (The Searchers) plays Joe Collins, a disgraced former soldier who assembles a ragtag band of scoundrels. They are lured into helping a woman (Pascale Petit, A Queen for Caesar) to rescue her prospector husband, who is trapped at their gold mine cave-in - though in reality, they have designs on the gold strike themselves. Finally, in Cesare Canevari's psychedelic Matalo! (Kill Him) (1970), double- and triple-crosses abound as a band of outlaws, having holed up in an isolated ghost town, set about terrorizing travelers Ray (Lou Castel, Orgasmo) and Bridget (Ana María Mendoza, 7 Women for the MacGregors) - only to get more than they bargained for when Ray fights back, armed only with his weapon of choice: a bag full of boomerangs.
Featuring a wealth of key Euro-cult talent both behind and in front of the camera, Arrow Films is proud to present these four classic westerns in sparkling High Definition restorations produced specially for this release, alongside a plethora of brand new bonus materials.
4-DISC LIMITED EDITION CONTENTS
DISC 1 - $10,000 BLOOD MONEY
DISC 2 - VENGEANCE IS MINE
DISC 3 - FIND A PLACE TO DIE
DISC 4 - MATALO! (KILL HIM)
THIS FILM CONTAINS A SEQUENCE OF FLASHING LIGHTS WHICH MIGHT AFFECT CUSTOMERS WHO ARE SUSCEPTIBLE TO PHOTOSENSITIVE EPILEPSY